Hyper- and Hypo-pigmented Small Macules on Face, Neck and Extremities: A Quiz
Abstract is missing (Quiz)
Kono M, Akiyama M. Dyschromatosis symmetrica hereditaria and reticulate acropigmentation of Kitamura: an update. J Dermatol Sci 2019; 93: 75-81.
https://doi.org/10.1016/j.jdermsci.2019.01.004 DOI: https://doi.org/10.1016/j.jdermsci.2019.01.004
Kondo T, Suzuki T, Ito S, Kono M, Negoro T, Tomita Y. Dyschromatosis symmetrica hereditaria associated with neurological disorders. J Dermatol 2008; 35: 662-666.
https://doi.org/10.1111/j.1346-8138.2008.00540.x DOI: https://doi.org/10.1111/j.1346-8138.2008.00540.x
Hayashi M, Suzuki T. Dyschromatosis symmetrica hereditaria. J Dermatol 2013; 40: 336-343.
https://doi.org/10.1111/j.1346-8138.2012.01661.x DOI: https://doi.org/10.1111/j.1346-8138.2012.01661.x
Song B, Shiromoto Y, Minakuchi M, Nishikura K. The role of RNA editing enzyme ADAR1 in human disease. Wiley Interdiscip Rev RNA 2022; 13: e1665.
https://doi.org/10.1002/wrna.1665 DOI: https://doi.org/10.1002/wrna.1665
Wang P, Yu S, Liu J, Zhang D, Kang X. Seven novel mutations of ADAR in multi-ethnic pedigrees with dyschromatosis symmetrica hereditaria in China. Mol Genet Genomic Med 2019; 7: e00905.
https://doi.org/10.1002/mgg3.905 DOI: https://doi.org/10.1002/mgg3.905
Kono M, Okamoto T, Takeichi T, Muro Y, Akiyama M. Dyschromatosis symmetrica hereditaria may be successfully controlled by topical sunscreen. Eur J Dermatol 2018; 28: 840-841.
How to Cite
Copyright (c) 2023 Jing Zhang, Yuhsien Lai, Zhenrui Shi
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
All digitalized ActaDV contents is available freely online. The Society for Publication of Acta Dermato-Venereologica owns the copyright for all material published until volume 88 (2008) and as from volume 89 (2009) the journal has been published fully Open Access, meaning the authors retain copyright to their work.
All published articles are published under CC-BY-NC licences, allowing third parties to copy and redistribute the material in any medium or format and to remix, transform, and build upon the material for non-commercial purposes, provided proper attribution to the original work.